Masseria Amastuola Wedding Videographer
Most masserie in Puglia are beautiful because they were built to be useful and time made them handsome. Masseria Amastuola is beautiful because somebody designed it that way, and that changes what a wedding film here can be.
The estate sits at 210 metres on a hill above Crispiano, in the province of Taranto, with the Ionian Sea visible from the terraces on a clear day. The masseria itself dates to the fifteenth century and reopened as a wine resort in 2017. What stops people on the drive in, though, is the vineyard: in 2006 the Spanish landscape architect Fernando Caruncho planted three kilometres of vine rows in parallel waves that roll across the slope, broken by twenty-four islands of centuries-old olive trees. It is one of the very few vineyards in the world designed as a garden rather than as a field.
For a wedding film that matters more than it sounds. Most venues give you one or two angles that work and a lot of ground that does not. Here the landscape has been composed: the rows lead the eye, the olive islands break the horizon, and light coming across the waves in the last hours of the afternoon does something no other masseria in Puglia can do. I have filmed across this region for years, and Amastuola is the only place where I plan the portrait session around the geometry of the ground itself.
Sian & Wayne — June 2026
Sian and Wayne came from England to marry at Amastuola on 13 June 2026, with around sixty guests. They both got ready in the masseria, in two rooms a corridor apart: Sian with her bridesmaids, Wayne with his groomsmen and their children. That is one of the quiet advantages of a venue where everyone sleeps — nobody is in a car on the morning of their wedding.
The day did not go to plan, and the film is better for it. The wind that afternoon was strong enough to make the outdoor ceremony impossible, so the vows moved inside under the vaults. If you watch one part of this film, watch that: what Sian and Wayne said to each other is the reason the whole thing holds together. A ceremony that has just been relocated an hour before it starts tends to strip away the performance, and what is left is the two people.
The aperitivo spread outdoors afterwards across stations of Apulian food, with a tenor, a saxophone and percussion playing live — a combination I had not filmed before and would happily film again. While the guests ate we took twenty minutes and walked out into the vineyard and then into the olive grove. It was around six in the evening, and the light was as good as it gets here.
You can read the full story of the day, with all the suppliers credited, on the Sian & Wayne wedding at Masseria Amastuola.
The Spaces at Masseria Amastuola, and What Each One Gives a Film
Knowing a venue before the day is not a nice extra, it is the difference between a film that follows the wedding and a film that anticipates it. These are the spaces at Amastuola as a videographer sees them.
The rooms — where the morning happens
The masseria has eighteen rooms and suites and sleeps around forty guests, which means the preparations happen inside the same walls as everything else. The rooms are white, vaulted and quiet, with deep window openings that throw a single soft source across the room — the kind of light you would otherwise have to build. Sian dressed under one of those vaults with her bridesmaids around her, and the whole sequence needed nothing added to it.
The olive grove — the ceremony space, and the portrait space
The grove of centuries-old olives is where most couples plan their ceremony, along an avenue that runs away from the masseria between trees that are genuinely old, with trunks that photograph like sculpture. It is also, and this is the part worth planning, the best place on the estate for portraits in the late afternoon: the trees are spaced widely enough that sun comes through sideways instead of dappling, and the avenue gives you depth that a courtyard cannot.
The vineyard-garden — twenty minutes that make the film
The waves of vines are the estate signature and they are not a backdrop you stand in front of, they are a shape you move through. Twenty minutes here during the aperitivo, while your guests are happily eating and nobody is waiting for you, is the best trade in the whole day. Go at the hour when the sun is low enough to run along the rows rather than down onto them, and the geometry Caruncho drew becomes visible on camera.
The indoor halls — and why the wind is not a disaster
Amastuola has vaulted indoor rooms that seat up to about 150, including the Sala del Golfo with its view over the vineyard. This matters more here than at a lower, sheltered masseria: at 210 metres on an open hill, wind is a real possibility, and the estate answers it properly. Sian and Wayne's ceremony moved indoors an hour before it began and the room did not feel like a fallback — white walls, high vaults, hydrangeas, and acoustics that carried their voices without a fight.
The courtyard and the pool terrace — the evening
Dinner and dancing happen in the historic courtyard under festoon lights, with the walls of the masseria on three sides and the country falling away on the fourth. The infinity pool sits on the edge of the hill facing the Gulf of Taranto, and at sunset it becomes the single most photographed spot on the estate for a reason. Sian and Wayne cut their cake beside it after dark.
Getting legally married on the estate
One practical detail that couples often discover too late: Amastuola is a registered detached municipal venue for Crispiano, which means a legally binding civil ceremony can be held on the estate rather than at a town hall elsewhere. Sian and Wayne chose a symbolic ceremony, but if you would rather do the legal part here and not spend a morning of your wedding week in an office, it is possible. Confirm the current paperwork with the venue and your planner, as requirements for foreign couples change.
Filming at Amastuola: Light, Wind and Timing
Three things about this estate that will change your timeline if you know them in advance.
The light runs sideways, and late. Amastuola sits high and open with nothing to the west to take the sun early, so unlike a masseria tucked into a valley it holds usable light until close to sunset. In June the hour that matters runs from roughly half past six to half past seven; in September it moves back to around six to seven. That is when the vine rows and the olive trunks acquire the relief that makes them worth filming. If your ceremony is at five, everything falls into place. If it is at seven, you will be eating during the only light on the estate that cannot be replaced.
Wind is a real variable, not a worry. At 210 metres on an exposed hill, an afternoon can turn windy without any warning in the forecast. It is not a reason to avoid the venue — it is a reason to agree the indoor alternative with your planner before the day rather than during it, and to think about hair and a veil accordingly. Sian's dress moving in the wind on the path is one of the best few seconds in her film, so it is not all cost.
Everything is walkable, so hours go into the day and not the road. This is the opposite of a coastal wedding. The rooms, the grove, the vineyard, the halls, the courtyard and the pool are all within a few minutes of each other on foot, which means a ten-hour day at Amastuola genuinely covers ten hours of wedding. Compare that with a day split between a town church and a countryside estate, where an hour or more disappears into transfers.
Getting there
Brindisi airport is roughly an hour away and Bari about an hour and a quarter, so guests can land in the morning and be at the pool by the afternoon. The estate sits in open country, so plan for hire cars or organised transfers: taxis are scarce out here and dinner finishes late.
What You Receive
The wedding film
A cinematic highlights film of your day, edited as a story rather than a sequence of events: the preparations, the ceremony in full emotional shape, the speeches that mattered, the first hours of the party. Length depends on the day and on the collection, and it is agreed before you book. Every film is colour graded and delivered in Full HD, ready to watch on a television as well as a phone.
The ceremony and the speeches in full
The highlights film is what you will share. The full ceremony and the full speeches are what you will come back to in ten years, and they are recorded with dedicated audio: microphones on the groom and on the celebrant, plus a feed from the sound system where there is one. At Amastuola this matters more than at most venues, because a windy hilltop and an outdoor aperitivo with live musicians would defeat camera audio on their own.
How and when it is delivered
A sneak peek within three weeks of the wedding, and the full film between six and twelve weeks depending on the collection you choose. Everything arrives as download links. Footage is backed up on more than one drive from the evening of the wedding itself and kept until you confirm you have saved your files, so download them as soon as they arrive rather than leaving them on the link.
Masseria Amastuola Wedding Videographer — Frequently Asked Questions
How much does a wedding videographer cost at Masseria Amastuola?
There is no single figure, and anyone who quotes one before asking about your day is guessing. What moves it: the hours you need, whether the celebration runs over more than one day, and how much of it you want in the finished film. Amastuola sits at the kinder end of the scale for a practical reason rather than a commercial one — everything happens inside one estate, so no part of the day is lost to transfers. Send me your date and a rough outline and you will have a clear figure back.
How many hours of coverage do we need at Masseria Amastuola?
Ten to twelve hours covers most weddings here, from preparations through the first hours of the party. Because everyone sleeps on the estate, those hours go into the wedding rather than into the road, which is not true of a day split between a town church and a countryside venue. If you are planning a welcome dinner the night before or a lunch the day after, decide at booking whether you want them filmed.
What time should our ceremony start for the best light at Amastuola?
Earlier than you probably think, because the good light here is at the end. Amastuola is high and open with nothing to the west to take the sun early, so it holds usable light close to sunset: in June the hour that matters runs from roughly half past six to half past seven, in September from about six to seven. A ceremony at five puts the vows, the portraits in the vineyard and the aperitivo all inside that window. A ceremony at seven means you will be at dinner during the only light on the estate that cannot be replaced.
Can we get legally married at Masseria Amastuola?
Yes. The estate is a registered detached municipal venue for the comune of Crispiano, which means a legally binding civil ceremony can be held on site rather than at a town hall elsewhere — unusual in Puglia and worth knowing if you would rather not spend a morning of your wedding week in an office. Symbolic ceremonies in the olive grove or indoors are equally common. Confirm the current paperwork with the venue and your planner, since requirements for foreign couples change.
What happens if it is too windy for an outdoor ceremony?
It is a real possibility at 210 metres on an open hill, and the estate handles it well. Sian and Wayne's ceremony moved indoors about an hour before it began because the wind made the grove impossible, and the vaulted hall did not feel like a fallback: white walls, high ceilings, and acoustics that carried their voices. What I would ask of you is to agree that alternative with your planner before the day rather than during it, and to think about hair and veil accordingly.
Is drone footage allowed at Masseria Amastuola?
Usually yes, and this is one of the venues where it genuinely earns its place. Drone flights in Italy are regulated by ENAC, but Amastuola sits in open countryside away from restricted airspace, and the vineyard-garden only reveals its wave pattern from above — from the ground you see vines, from the air you see the design. Authorisation is arranged in advance with the estate, and I check it before the day rather than arriving and hoping.
How do our guests get to Amastuola, and where do they stay?
Brindisi airport is roughly an hour away and Bari about an hour and a quarter, so guests can land in the morning and be at the pool the same afternoon. The masseria has eighteen rooms and suites and sleeps around forty, with the rest of a typical guest list staying in Martina Franca, Locorotondo or Taranto. Plan for hire cars or organised transfers — the estate is in open country, taxis are scarce, and dinners finish late.
Should we do our portraits in the vineyard or the olive grove?
Both, and during the aperitivo. Twenty minutes while your guests are eating is the best trade in the whole day, because nobody is waiting for you. The vineyard gives you the waves and the geometry and works best when the sun is low enough to run along the rows rather than down onto them; the olive grove gives you old trunks, depth down the avenue and light coming through sideways. Sian and Wayne did exactly this at around six in the evening, and it is most of what you see in their film.
Do you work with our photographer and wedding planner?
Yes, and it is worth asking us both. Photo and video share the same few metres during the ceremony and the portraits, and the difference between a smooth day and a tense one is a conversation before it. I contact your photographer in the weeks before the wedding so we agree how we move, and if you are working with a planner I handle the timeline directly with them.
Do you work alone, and do you deliver the raw footage?
I work with an assistant on almost every wedding. Two people means the preparations can be covered in two rooms at once, the ceremony has a second angle that does not depend on where I happen to be standing, and nothing is lost while one of us is moving between spaces. I film alone only for the lighter services, such as elopements and intimate ceremonies with very few guests, or when a couple asks for it. And on raw footage, the finished film is the product, so it is not part of the standard delivery. If you want it, ask before the wedding and we will agree it as an addition rather than deciding afterwards.
Planning a Wedding at Masseria Amastuola?
Tell me your date and a rough outline of the day and I will come back with a clear figure and, more usefully, with what I would change about your timeline. I am based on the Amalfi Coast and film across Puglia, Tuscany, Lake Como and the Amalfi Coast.
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